Color studies for the Queen and the Architect. I was supposed to have the Brother done, too, but that was a bit of a stretch. I'll make up the lost ground this coming week. I have a tendency to noodle paintings a little too much, so rather than go for an overly-rendered-finished look -- which isn't the sort of thing you'd see much of on a concepting desk anyway -- I used no opacity control and instead went for bolder opaque strokes. Rama will likely be getting a similar treatment, I want it to stay fresh.